embarrassment.party

curatorial statement

isn’t it time to rename the internet? isn’t the web 2.0 more of a cloud for falling than a net for catching? the internet’s external inter-connections have been wholly consumed—internalized and made mobile. the cloud is always simultaneously here—in our local drives, intuitively integrated with our bodies and preeminently available to them—and way over there—on servers far away, in metaphors up in the air, and peripheral to individual comprehension or control. we ask: what does this remote intimacy of the cloud imply? and what does it obscure?

with the emergence of the cloud, connections of time and space have fractalized, becoming too many and too arbitrary and too deep. our actions have become porous, complicit and confused via social plugins, multinational investors, ’friends of friends,‘ conspicuous absences and inferred consensus. we click here and a server in texas compliments our labor with its own; we click there and an advertising agency cashes in; we click here and our photos become the property of something or someone else (we don’t know); we click there and our contact lists are spammed; no one clicks and we delete our content over the unsettling lack of response. we are queasy with oscillations of here and far, near and where.

much more than the servers, routers, cables, and agreements to terms of service that comprise it, we know the cloud to be a precarious factory and a nauseous feeling. we also know it to be a medium through which resistance, eagerness, and generative forms of embarrassment can still materialize. if the cloud can no longer be extricated from protocols of social, political, economic, and emotional life, we hope that this installation might inform a more empathetic future for those who will have been uploaded into it.

the virtual residency

in november 2013, i released an open call online for artists, writers, and theorists to apply to the embarrassment_party virtual residency program. i purchased the domain embarrassmentparty.biz and the email address maestro@embarrassmentparty.biz, and from then on operated as “the maestro” of the e_p project. in the following weeks, over 50 applications were received and the website was viewed by several hundred visitors from 32 countries. applicants were asked to submit responses in any medium to the project’s initial themes, including remote intimacies, cloud capital, over exposure, data labor, and free fall in the cloud.

residents were selected and notified in january 2014, and the virtual “residency” began. skype talks brought us together. We made (it) work. the embarrassment_party exhibition, in its IRL and URL forms (in the gallery and at embarrassment.party, respectively) are the culmination of the collective residency.

artists in residence

annelyse gelman (.us/.nz/.de), jesse darling (.uk/.de), viktor timofeev (.lv/.us/.ne), sanguine cb (n/a), cristine brache (.fr/.cn), mehron abdollmohammadi (.us), emilio vavarella (.us/.it), + marii nyröp (.us/.hk).

the installation

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